10 hours of STROBE LIGHT Videos - White, Red, Green, Blue, RGB, Cyan, Orange, Pink, Purple, Yellow, Mix colors – in 40, 100, 250, 500, 1000 millisecond interval

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SEIZURE WARNING
This videos may potentially trigger seizures for people with photosensitive epilepsy. Viewer discretion is advised.
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10 hours of WHITE strobe light
https://www.youtube.com/watch?v=rnt2Q_Hhsbc :: 40 millisecond flash
https://www.youtube.com/watch?v=qFPFoxqDEiA :: 100 millisecond flash
https://www.youtube.com/watch?v=6qzvTF1bMms :: 250 millisecond flash
https://www.youtube.com/watch?v=rYV0kXXYpbE :: 500 millisecond flash
https://www.youtube.com/watch?v=vKY6IWuYFxg :: 1000 millisecond flash
https://www.youtube.com/watch?v=7VRW_4s5Gqk :: random time flash



10 hours of RED strobe light
https://www.youtube.com/watch?v=TIiq8DlIVCs :: 40 millisecond flash
https://www.youtube.com/watch?v=FjuEP_pg1BY :: 100 millisecond flash
https://www.youtube.com/watch?v=6k_d9sdRZo8 :: 250 millisecond flash
https://www.youtube.com/watch?v=yFkdOXJybA4 :: 500 millisecond flash
https://www.youtube.com/watch?v=UQZrmgjz9hI :: 1000 millisecond flash
https://www.youtube.com/watch?v=SYX34el3Z8s :: random time flash



10 hours of GREEN strobe light
https://www.youtube.com/watch?v=lx4cx_cC7TU :: 40 millisecond flash
https://www.youtube.com/watch?v=6NvDMF8aWY4 :: 100 millisecond flash
https://www.youtube.com/watch?v=dnf69SnmWkU :: 250 millisecond flash
https://www.youtube.com/watch?v=ihQkhC3Ro44 :: 500 millisecond flash
https://www.youtube.com/watch?v=PyZHcT9ASlc :: 1000 millisecond flash
https://www.youtube.com/watch?v=-RsEDb8nR1s :: random time flash



10 hours of BLUE strobe light
https://www.youtube.com/watch?v=3fPWWaBKltI :: 40 millisecond flash
https://www.youtube.com/watch?v=R5dSH3mEW3I :: 100 millisecond flash
https://www.youtube.com/watch?v=1tirDK1xRFI :: 250 millisecond flash
https://www.youtube.com/watch?v=2nfjQjyYnH8 :: 500 millisecond flash
https://www.youtube.com/watch?v=VreuanVL9Ks :: 1000 millisecond flash
https://www.youtube.com/watch?v=39sJNMVV7ek :: random time flash



10 hours of RGB strobe light
https://www.youtube.com/watch?v=HvtHqpD5Gas :: 40 millisecond flash
https://www.youtube.com/watch?v=L6qdJJmA7YQ :: 100 millisecond flash
https://www.youtube.com/watch?v=EstPtfGcLvU :: 250 millisecond flash
https://www.youtube.com/watch?v=D8ibW2fnnYs :: 500 millisecond flash
https://www.youtube.com/watch?v=wNvzTYKl8_Q :: 1000 millisecond flash
https://www.youtube.com/watch?v=mrqnrzJxlIc :: random time flash



10 hours of CYAN strobe light
https://www.youtube.com/watch?v=QFJ-sWue_uw :: 40 millisecond flash
https://www.youtube.com/watch?v=vMCpHEGC20I :: 100 millisecond flash
https://www.youtube.com/watch?v=dxsommiMLMA :: 250 millisecond flash
https://www.youtube.com/watch?v=osbBu93NA8Y :: 500 millisecond flash
https://www.youtube.com/watch?v=xXOfuao9i2I :: 1000 millisecond flash
https://www.youtube.com/watch?v=Jkay-WazFsA :: random time flash



10 hours of ORANGE strobe light
https://www.youtube.com/watch?v=L1_UgH_udQw :: 40 millisecond flash
https://www.youtube.com/watch?v=EZawAsPH_Qw :: 100 millisecond flash
https://www.youtube.com/watch?v=ITKrVlZdD8c :: 250 millisecond flash
https://www.youtube.com/watch?v=t2ZA3yml4Vo :: 500 millisecond flash
https://www.youtube.com/watch?v=5tszNTaaItU :: 1000 millisecond flash
https://www.youtube.com/watch?v=TNuWqmEoLJQ :: random time flash



10 hours of PINK strobe light
https://www.youtube.com/watch?v=FycT6i3SVNo :: 40 millisecond flash
https://www.youtube.com/watch?v=-CnsW91e6jI :: 100 millisecond flash
https://www.youtube.com/watch?v=Gs08vFR4Nto :: 250 millisecond flash
https://www.youtube.com/watch?v=XL6qGSl2h5Q :: 500 millisecond flash
https://www.youtube.com/watch?v=6ZVwsGBnbQk :: 1000 millisecond flash
https://www.youtube.com/watch?v=RXhCinMrLBs :: random time flash



10 hours of PURPLE strobe light
https://www.youtube.com/watch?v=PgzVORywZYg :: 40 millisecond flash
https://www.youtube.com/watch?v=ttmlQu2q8TE :: 100 millisecond flash
https://www.youtube.com/watch?v=MXU6ZlGmW-c :: 250 millisecond flash
https://www.youtube.com/watch?v=WnjK6ZbwA34 :: 500 millisecond flash
https://www.youtube.com/watch?v=y3L9I7-ML4A :: 1000 millisecond flash
https://www.youtube.com/watch?v=B7PyLt-JGXI :: random time flash



10 hours of YELLOW strobe light
https://www.youtube.com/watch?v=sUuLGvszd-c :: 40 millisecond flash
https://www.youtube.com/watch?v=JuZB31YgLpc :: 100 millisecond flash
https://www.youtube.com/watch?v=4RUrXs6kpmQ :: 250 millisecond flash
https://www.youtube.com/watch?v=2o2skWsdwxQ :: 500 millisecond flash
https://www.youtube.com/watch?v=TR2rzr1Xx1Y :: 1000 millisecond flash
https://www.youtube.com/watch?v=ZSrLWqh5boA :: random time flash



10 hours of MIX COLORS strobe light
https://www.youtube.com/watch?v=pNCcOyPwxLU :: 40 millisecond flash
https://www.youtube.com/watch?v=yIpSgYJmTVE :: 100 millisecond flash
https://www.youtube.com/watch?v=QvtMRzK-ZGE :: 250 millisecond flash
https://www.youtube.com/watch?v=4RdDFoAQvc8 :: 500 millisecond flash
https://www.youtube.com/watch?v=JV_4jU-RKCs :: 1000 millisecond flash



10 hours of RAINBOW COLORS strobe light
https://www.youtube.com/watch?v=0R1YDlx18PM :: 40 millisecond flash
https://www.youtube.com/watch?v=KNZvYjNK0rk :: 100 millisecond flash
https://www.youtube.com/watch?v=hzdIGLnouJQ :: 250 millisecond flash
https://www.youtube.com/watch?v=OHBScL-Tia4 :: 500 millisecond flash
https://www.youtube.com/watch?v=eX6V0-KJbHw :: 1000 millisecond flash

RED RAVEN 4.5K (Q3 2017) tech specifications | Digital Cinema Camera

PRICE
$15,000

SENSOR TYPE
RED DRAGON 9.9 Megapixel CMOS

EFFECTIVE PIXELS
4608 × 2160

SENSOR SIZE
23.0 mm x 10.8 mm (Diagonal: 25.5 mm)

DYNAMIC RANGE
16.5+ stops

MAX DATA RATES
Up to 140 MB/s using RED MINI-MAG

MAX FRAME RATES
120 fps at 4.5K Full Format (4608 × 2160), 120 fps at 4.5K 2.4:1 (4608 × 1944)
120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

PLAYBACK FRAME RATES (PROJECT TIMEBASE)
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1
3:1 REDCODE for 4.5K Full Format (4608 × 2160) at 24 fps
8:1 REDCODE for 4.5K Full Format (4608 × 2160) at 60 fps
3:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps
7:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps

REDCODE RAW ACQUISITION FORMATS
4.5K Full Format (4608 × 2160), 2.4:1 (4608 × 1944)
4K Full Format (4096 × 2160), 2:1 (4096 × 2048), 2.4:1 (4096 × 1728), UHD 16:9 (3840 × 2160)
3K Full Format (3072 × 1620), 2:1 (3072 × 1536), 2.4:1 (3072 × 1296), 16:9 (2880 × 1620), 3:2 (2880 × 1920)
2K Full Format (2048 × 1080), 2:1 (2048 × 1024), 2.4:1 (2048 × 864), 16:9 (1920 × 1080), 3:2 (1920 × 1280)

APPLE PRORES
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 60 fps

AVID CODECS
DNxHD LB (1920 × 1080) 8-bit up to 60 fps

TYPICAL MAX RECORDING TIME USING RED MINI-MAG 120GB
4.5K Full Format (4608 × 2160) at 24 fps and 11:1 REDCODE: 52 minutes
2K Full Format (2048 × 1080) at 24 fps and 11:1 REDCODE: 233 minutes
2K Full Format (2048 × 1080) at 24 fps and Apple ProRes 422: 79 minutes

CONSTRUCTION
Aluminum Alloy

WEIGHT
3.5 lbs (BRAIN with Integrated Media Bay and Canon Lens Mount)

OPERATING TEMPERATURE
0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE
–20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY
0% to 85% non-condensing

AUDIO
Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

REMOTE CONTROL
Integrated R.C.P. WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module

MONITOR OUTPUTS
3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONS
DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.

REDCINE-X PRO DELIVERY FORMATS
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE COMPATIBILITY
Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

RED SCARLET-W 5K (Q4 2015) tech specifications | Digital Cinema Camera

PRICE
$12,500

SENSOR TYPE
RED DRAGON 13.8 MP Super 35mm CMOS

EFFECTIVE PIXELS
5120 × 2700

SENSOR SIZE
25.6 mm x 13.5 mm (Diagonal: 28.9 mm)

DYNAMIC RANGE
16.5+ stops

MAX DATA RATES
Up to 170 MB/s using RED MINI-MAG

MAX FRAME RATES
50 fps at 5K Full Format (5120 × 2700), 60 fps at 5K 2.4:1 (5120 × 2160)
120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

PLAYBACK FRAME RATES (PROJECT TIMEBASE)
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS RANGE FROM
2:1 UP TO 22:11 4:1 REDCODE for 5K Full Format (5120 × 2700) at 24 fps
7:1 REDCODE for 5K Full Format (5120 × 2700) at 50 fps
3:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps
6:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps

REDCODE RAW ACQUISITION FORMATS
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES
ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 60 fps

AVID CODECS
DNxHR SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 60 fps

TYPICAL MAX RECORDING TIME USING RED MINI-MAG 120GB
5K Full Format (5120 × 2700) at 24 fps and 11:1 REDCODE: 41 minutes
5K Full Format (5120 × 2700) at 48 fps and 14:1 REDCODE: 26 minutes
4.5K 2.4:1 (4608 × 1944) at 120 fps and 15:1 REDCODE: 17 minutes

CONSTRUCTION
Aluminum Alloy

WEIGHT
3.5 lbs (BRAIN with Integrated Media Bay)

OPERATING TEMPERATURE
0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE
–20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY
0% to 85% non-condensing

COLOR MANAGEMENT
Supports 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing

AUDIO
Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

REMOTE CONTROL
Integrated R.C.P. WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module

MONITOR OUTPUTS
3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI Only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONS
DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.
REDCINE-X PRO

DELIVERY FORMATS
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE COMPATIBILITY
Adobe Premiere Pro, Avid Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

RED EPIC-W 8K (Q4 2016) tech specifications | Digital Cinema Camera

PRICE
$29,500

SENSOR TYPE
HELIUM 35.4 Megapixel CMOS

EFFECTIVE PIXELS
8192 × 4320

SENSOR SIZE
29.90 mm x 15.77 mm (Diagonal: 33.80 mm)

DYNAMIC RANGE
16.5+ stops

MAX DATA RATES
Up to 275 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES
30 fps at 8K Full Format (8192 × 4320), 30 fps at 8K 2.4:1 (8192 × 3456)
30 fps at 7K Full Format (7168 × 3780), 40 fps at 7K 2.4:1 (7168 × 3024)
75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)
96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

PLAYBACK FRAME RATES (PROJECT TIMEBASE)
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS RANGE FROM
2:1 UP TO 22:11 6:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps
7:1 REDCODE for 8K Full Format (8192 × 4320) at 30 fps
2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps
4:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps

REDCODE RAWm ACQUISITION FORMATS
8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS
DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

CONSTRUCTION
Magnesium and Aluminum Alloy

WEIGHT
3.35 lbs (BRAIN with Integrated Media Bay)

OPERATING TEMPERATURE
0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE
–20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY
0% to 85% non-condensing

COLOR MANAGEMENT
Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing

AUDIO
Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

REMOTE CONTROL
Integrated R.C.P. WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module

MONITOR OUTPUTS
3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONS
DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.
REDCINE-X PRO

DELIVERY FORMATS
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE COMPATIBILITY
Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

RED WEAPON DRAGON 6K S35 (Q4 2015) tech specifications | Digital Cinema Camera

PRICE
$49,955

SENSOR TYPE
RED DRAGON 19.4 Megapixel CMOS

EFFECTIVE PIXELS
6144 × 3160

SENSOR SIZE
30.7 mm x 15.8 mm (Diagonal: 34.5 mm)

DYNAMIC RANGE
16.5+ stops

MAX DATA RATES
Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES
75 fps at 6K Full Format (6144 × 3160), 100 fps at 6K 2.4:1 (6144 × 2592)
96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

PLAYBACK FRAME RATES (PROJECT TIMEBASE)
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS RANGE FROM
2:1 UP TO 22:11 3:1 REDCODE for 6K Full Format (6144 × 3160) at 24 fps
7:1 REDCODE for 6K Full Format (6144 × 3160) at 60 fps
2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps
3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps

REDCODE RAW ACQUISITION FORMATS
6K Full Format (6144 × 3160), 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS
DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

CONSTRUCTION
Carbon Fiber, Magnesium, and Aluminum Alloy

WEIGHT
3.3 lbs (BRAIN with Integrated Media Bay)

OPERATING TEMPERATURE
0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE
–20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY
0% to 85% non-condensing

COLOR MANAGEMENT
Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing

AUDIO
Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

REMOTE CONTROL
Integrated R.C.P. WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module

MONITOR OUTPUTS
3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONS
DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.
REDCINE-X PRO

DELIVERY FORMATS
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE COMPATIBILITY
Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

RED WEAPON HELIUM 8K S35 (Q4 2016) tech specifications | Digital Cinema Camera

PRICE
$49,500

SENSOR TYPE
HELIUM 35.4 Megapixel CMOS

EFFECTIVE PIXELS
8192 × 4320

SENSOR SIZE
29.90 mm x 15.77 mm (Diagonal: 33.80 mm)

DYNAMIC RANGE
16.5+ stops

MAX DATA RATES
Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES
60 fps at 8K Full Format (8192 × 4320), 75 fps at 8K 2.4:1 (8192 × 3456)
60 fps at 7K Full Format (7168 × 3780), 75 fps at 7K 2.4:1 (7168 × 3024)
75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)
96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

PLAYBACK FRAME RATES (PROJECT TIMEBASE)
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS RANGE FROM
2:1 UP TO 22:11 5:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps
12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps
2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps
3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps

REDCODE RAW ACQUISITION FORMATS
8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS
DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

CONSTRUCTION
Carbon Fiber, Magnesium, and Aluminum Alloy

WEIGHT
3.3 lbs (BRAIN with Integrated Media Bay)

OPERATING TEMPERATURE
0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE
–20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY
0% to 85% non-condensing

COLOR MANAGEMENT
Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing

AUDIO
Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

REMOTE CONTROL
Integrated R.C.P. WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module

MONITOR OUTPUTS
3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONS
DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.
REDCINE-X PRO

DELIVERY FORMATS
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE COMPATIBILITY
Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

RED WEAPON MONSTRO 8K VV (Q4 2017) tech specifications | Digital Cinema Camera

PRICE
$79,500

SENSOR TYPE
MONSTRO 35.4 Megapixel CMOS

EFFECTIVE PIXELS
8192 × 4320

SENSOR SIZE
40.96 mm x 21.60 mm (Diagonal: 46.31 mm)

DYNAMIC RANGE
17+ stops

MAX DATA RATES
Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES
60 fps at 8K Full Format (8192 × 4320), 75 fps at 8K 2.4:1 (8192 × 3456)
60 fps at 7K Full Format (7168 × 3780), 75 fps at 7K 2.4:1 (7168 × 3024)
75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)
96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

PLAYBACK FRAME RATES
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS
5:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps
12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps
2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps
3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps

REDCODE RAW
8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS
DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

CONSTRUCTION
Carbon Fiber, Magnesium, and Aluminum Alloy

WEIGHT
3.3 lbs (BRAIN with Integrated Media Bay)

OPERATING TEMPERATURE
0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE
–20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY
0% to 85% non-condensing

COLOR MANAGEMENT
Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing

AUDIO
Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

REMOTE CONTROL
Integrated R.C.P. WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module

MONITOR OUTPUTS
3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONS
DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.

REDCINE-X PRO DELIVERY FORMATS
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE COMPATIBILITY
Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

RED ROCKET-X (Q2 2017) tech specifications | Graphics Card

PRICE
$6,750

VIDEO OUTPUT
DisplayPort - (2), HDMI through adaptor cable
Serial digital 4:2:2 8/10/12 bit (dual link) - 2BNC
Stereo 3D Support

AUDIO OUTPUT
Embedded audio - 1BNC (via video out)

TIMECODE
Vertical (VITC) - 1BNC (via video out)

COLOR MODES
YCbCr 4:2:2 RGB 4:4:4

INTERNAL PROCESSING
Faster than real-time REDCODE decoding, debayering and scaling up to 6K. Up to 5x faster than previous generation

AUDIO FORMATS
48 kHz, 24 bit

SYSTEM REQUIREMENTS
Mac OS X 10.7 or later
Windows 7 or later
Linux (Red Hat)
2048 MB RAM Minimum
Thunderbolt Compliant

PCI BUS REQUIREMENTS
PCIe x 16 physical slot + one 6-pin PCIe power cable

BOARD SIZE
Full length PCIe (approx 12" length), single slot

OPERATING CONDITIONS
Operating Range: 5˚C to +40˚C (41˚F to 104˚F)
20% to 80% relative humidity, non-condensing

STORAGE CONDITIONS
Storage Range: -17˚C to +70˚C (0˚F to 158˚F)
10% to 80% relative humidity, non-condensing